Archive for February, 2014

emergency repairs for the Steve Edmonds Band

February 25, 2014
Steve Edmonds (official) promo photo

Steve Edmonds (official) promo

Steve Edmonds is a well established and much admired guitar player on the Australian music scene, based in the Sydney area. Steve has put a lot of hard work into carving out his own niche as a blues guitarist, a straight ahead rock guitarist, ie the Steve Edmonds Band, and is also well known for his Jimi Hendrix Tribute shows, eg Hendrix and Heroes.

'57 Tweed Twin replica blowing fuses

’57 Tweed Twin replica blowing fuses

 

More recently, Steve has come up with a fresh concept and a new band by the name of Mescalero. With Esteban (Steve) on guitar/vocals, Antonio on drums and Alejandro on double-bass, Mescalero are described as a Roots Rock band, which incorporates Rockabilly, Surf, Western Swing, Bop, Big Band, Ska, Mambo and Country influences ! The new band is already gigging and recording.

'57 Tweed Twin replica (with a couple of vintage amps in the background)

’57 Tweed Twin replica (with a couple of vintage amps in the background)

Which brings us to the subject matter of this blog – both Steve and Alex had amp mishaps last week which required immediate attention as there were gigs booked from Thursday night onwards. Firstly, there was Steve’s amp. This is a replica of the ’57 Tweed Twin Amp, made in China, and distributed locally by Lawrie Minson in Tamworth, New South Wales. These are the models that famously (in the Fender line-up) introduced separate Treble and Bass controls, rather than a single Tone control (the addition of a Midrange control was still a year or two away), along with the Bandmaster, Super and Pro amp models (apologies to Fender enthusiasts if we’ve left out any details).

the culprit !

the culprit !

Steve’s amp was repeatedly blowing the mains fuse – if this happens more than once clearly something is seriously wrong ! At first we all assumed that one or both of the 5U4 rectifier valves had developed a short-circuit (S/C). This is quite a reasonable assumption, but it was not to be that simple.

 

'57 Tweed Twin replica amp chassis

’57 Tweed Twin replica amp chassis

We first plugged the amp into the mains via a ballast light, so that we didn’t have to keep replacing blown fuses while troubleshooting the problem. We removed all valves (tubes) from their sockets but the S/C was still there. Obviously the problem was in the power supply, and potentially the power transformer was the culprit. One by one we removed the transformer secondaries, so that each secondary was unloaded, and retested.

Please don’t try this at home !!

under the chassis of the '57 Tweed Twin (China)

under the chassis of the ’57 Tweed Twin (China)

Finally, we had the primary connected directly the the active and neutral wires and we still apparently had a S/C in the power transformer. So, we emailed Lawrie Minson who sent us down a replacement transformer which we installed, along with a bit of tidying up of the 240V primary wiring. With all valves reinstalled and tidying up of the disturbed wiring with nylon cable ties, we could successfully test Steve’s amp for electrical safety and power output. Back in the day, even with a pair of 5U4 rectifiers, these amps only delivered around 30 watts rms, and this replica of course delivers similar performance.

Installing a pair of Celestion 'Greenbacks' into Steve's amp

Installing a pair of Celestion ‘Greenbacks’ into Steve’s amp

Steve actually requested slightly earlier break-up, so we installed a single 5U4 by Electro-Harmonix, our favourite sounding current production 5U4, which also has a good reputation for reliability. The factory loaded speakers with this amp were a pair of the budget model Celestion G12-65 (not the ‘Heritage’ model), which were letting the amp down quite noticeably. At Steve’s request we upgraded these to a pair of Celestion G12M25 ‘Greenbackspeakers, at 8 ohms each, wired for the system impedance of 4 ohms.

still one of the sweetest sounding guitar speakers !

still one of the sweetest sounding guitar speakers !

This upgrade improved the tone and response of the amp 100 %. The woody, somewhat midrange-scooped tone of the Greenbacks balanced better with the flat midrange response (at most settings) of the ’57 Tweed Twin amp, and introduced a warmth and sweetness that wasn’t really there before. When Steve came to pick up the completed repair/upgrade he gave the amp a good workout with our Fender ’52 Tele Reissue loaded with the Pete Biltoft Vintage Vibe pickups (see blog NOV 24, 2013).

Steve's amp reassembled !

Steve’s amp reassembled !

Part-II of the story: Mescalero bass player Alex Campbell brought his amp to the workshop – a Hartke 500 watt bass amp head. A mishap when moving the bass rig caused a jack plug to break off inside a speaker jack on the back of the amp, and worse still the master volume control was smashed and unuseable. Aside from those two issues the amp appeared to be unharmed.

Alex's Hartke 500W bass amp head

Alex’s Hartke 500W bass amp head

We removed the broken speaker plug from inside the amp, wired Alex a new heavy-duty jack-jack speaker cable, and stripped out the preamp/power supply PCB to replace the 10K Lin 16mm master volume pot. This involves unscrewing many, many screws and removing the front panel – the complete job takes about an hour. While we had the amp apart we cleaned up accumulated dust from the power amp’s forced air cooling system – an important little task to keep the amp running reliably.

inside the Hartke bass amp

inside the Hartke bass amp

The design and assembly of the Hartke amp is completely conventional – there is no digital circuitry, no switching power supply. The amp is isolated from the 240V mains by a huge toroidal transformer. From the point of view of the service tech, this is a positive thing – the whole amp is accessible for ease of servicing. The only problems we’ve had with the Hartke amps over the years (with one or two exceptions) have been ‘dry’ solder joints and poor quality input jacks. The Hartke does not have a ‘signature’ sound, but this is a matter of personal taste.

Many thanks to Steve and Alex for their continued custom ! We wish Steve all the best for his new band – please check out Mescalero soon.

http://www.mescalero.com.au

http://www.hendrixandheroes.com

http://steveedmondsband.com

Service Centre for Jackson Ampworks in Australia

February 22, 2014
Jackson Ampworks 'Britain'

Jackson Ampworks ‘Britain’

Hello, welcome back to the blog. We are now offering world-class (non-warranty) service & repairs to the range of valve (tube) amplifiers from Jackson Ampworks of Keller, Texas USA. We should point out that we have no official relationship with Jackson Ampworks, so we cannot accept any warranty repair claims without the endorsement of their Australian distributor.

Jackson Ampworks 'Britain' amp head

Jackson Ampworks ‘Britain’ amp head

We recently serviced the Jackson ‘Britain’ amp for one of our customers, who is a guitar tutor and professional player – the amp is featured in the accompanying photos. The Jackson amps are built in Texas, but are British-voiced. The concept of the Jackson ‘Britain’ is broadly similar to our own Richards ‘Expressionist’ amplifier models – there are two discrete preamp channels, voiced as per vintage VOX amps.

Jackson 'Britain' rear panel removed

Jackson ‘Britain’ rear panel removed

CH-1 is based on the EF86 pentode preamp valve (tube), and CH-2 employs the more familiar 12AX7/ECC83 valves and is effectively the top-boost channel. The EF86 is famously rather prone to microphony in guitar amps, but sounds absolutely wonderful in the right situation. The ‘Britain’ power amp section is switchable between a pair of cathode-bias EL84 valves for low power, and a pair of fixed-bias EL34 valves for full power.

Jackson 'Britain' chassis

Jackson ‘Britain’ chassis

The Jackson amp is very compact – about half the size of most comparable amps, ie amps in the 30 to 50 watt range. This amp depends absolutely on forced-air cooling for its survival, so if the fan ever stops working the amp needs to be serviced a.s.a.p. Some of the amp functions normally carried out by passive components appear to be implemented with the use of solid-state devices, which are mounted to vertical heatsinks, also in the forced-air cooling path.

'Britain' chassis: front view

‘Britain’ chassis: front view

Fortunately, for this service job there was nothing more serious than some noisy valves, which we replaced accordingly with a full check & test. The only problem we encountered was that the light aluminium chassis was quite resonant, at a frequency that was very close to the resonant ring from certain brands of EL34 power output valve that we tried in the amp. This was so noticeable that we substituted several brands before settling on the least resonant combination.

Jackson 'Britain' underneath the chassis

Jackson ‘Britain’ underneath the chassis

Finally, we were happy with the end result and our customer was pleased to get his amp back, working correctly again with unwanted noise at a minimum. You can see from the photo to the right that the amp is indeed hand-wired and the chassis layout is very tight indeed. Access to some components is limited or not possible at all without stripping out the electronics from the chassis.

Jackson 'Britain' chassis

Jackson ‘Britain’ chassis

 

Hardware components are by Carling, Switchcraft, Alpha and others – the standard of electronic components is also good. So there we have it – our very first experience of servicing the Jackson Ampworks product ! These amps look and sound great, but are relatively new to the Aussie music industry so we cannot pass any comments with ref to long term reliability issues. If you are in New South Wales and own a Jackson amp that needs servicing, please contact us @ ivan@ivanrichards.com